Adobe Camera Raw Essentials

£3.00

Confused about how your image changes in Adobe Camera Raw from one Process Version to another? Maybe you didn't know you could convert your Process Versions in the latest Adobe Camera Raw app. This tutorial explains how you make the translation, covering the fundamental steps for getting good quality. Some confusing aspects of highlight rescue are clarified, as well as how to preview in CMYK, rescue a dark image, remove noise, add grain and apply local adjustments.

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Length:
35 min
Level:
All levels
Availability:
7 day rental for streaming
 
Also available as part of the subscription products.

About this tutorial

The Gry Garness Adobe Camera Raw Essentials tutorial is a must for those who want to process a folder of RAW files and for anyone confused about the differences in the Process Versions. It shows you which sliders to use for highlight clipping (maybe not the one you think it is!) and takes an image through a translation process through the versions, getting the best of the Adobe Camera Raw capabilities. We use Clipping Display and make a preset in the Workflow Options for previewing in CMYK, comparing this with the assigned RGB profile.

This tutorial focuses on fundamentals that affect all images and is shown on two entirely different image scenarios, including one that is severely underexposed. We use local corrections on one image and let the selective and global adjustments take care of the other. We also perform a Noise Reduction and apply some light grain. This is essential know-how for those who use Adobe Camera Raw with new and older files.

What you’ll learn

  • – Conversion In DNG Converter
  • – Comparison Of The 3 Process Versions
  • – Conversion From PV 2003 To PV 2010
  • – Translation From PV 2010 To PV 2012
  • – Finding The White Balance
  • – Clipping Display
  • – Workflow Options Presets
  • – CMYK Previewing
  • – Reducing Out-of-Gamut Colour
  • – Highlights Versus Whites Sliders
  • – Graduated Filter And Adjustment Brush
  • – Noise Reduction
  • – Adding Film-like Grain
  • – Controlling Colours In HSL
  • – Skin Tone Correction